Join the new world

As most people I am heavily dependent on WRM . When I run out of work tickets such as I have currently I have to go basically onto a no worker mode gathering enough funds to gain work tickets again.

If I think back on how I spend my work tickets there is really no rhyme or reason to it. In truth whether one uses work tickets must be influenced by the price of WRM if you are a big producer. So when WRM is above 0.05 we use 4000 WRM to buy create 20 Q7 . Therefore 160 cc is spend to gain 250 cc. Therefore at that price you sell your Q7's at an effective price of 4.5 cc . So if WRM is that high its better not to work in your Q7 Factory bar your basic needs.

Currently our price is down to 0.03 meaning we have a drop rate of 0.02 so your 4000 WRM cost you 80 cc and you sell your Q7 for 250 . So you make 170 per 20 q7 = 8.5 cc

That is why one should own a Q7 factory so that when WRM goes low you can use your stored op work tickets to convert your production of WRM into Q7 Weps.

A lot of people claim version 2 economy was flawed but then dont show any strategic skills. Because in business if your selling a high volume product at a small profit one needs to cut cost but as well raise your production. If your product is borderline profitable or breaks even then you should if you can add value to your product by creating higher value products from them. So the economy was never flawed. If one can make profits from a company and make a decent income from it by adjusting your strategy then the economy is not flawed if your not making money. Your strategy and thinking is flawed.

It does take a lot of time but really what business is profitable in a week?

But for the normal big WRM producer get yourself atleast 2 to 3 Q7 factories. Im going to 3 by the time the upgrade bonuses comes out. That way you can keep supply to the market low . If supply drops to below or near demand prices rise and you can start supplying again.

Perhaps this will require more planning and waiting than your used to but truthfully if WRM producers is going to continue over supplying the market we cannot achieve optimum profitability levels. One doesn't hit a nail in with a sledgehammer.

tldr; to raise a price there must be only 1 page of offers on the markets of that price. Our prices drop when the number of offers fulls up more pages than the buyers of WRM can keep up with. So to force it lower remove offers from the markets when all offers are bought up at a price the buyer has to buy at 1 cent up.

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A few songs & lyrics for those who doesn't want to read about economy.


Kathy's Song

[Written when Simon & Garfunkel was buskers(street musicians) in England. Kathy was the girl that brought them lunch and I'm not certain provided them with room and board. I.e she was their friend.]

I hear the drizzle of the rain
Like a memory it falls
Soft and warm continuing
Tapping on my roof and walls.

And from the shelter of my mind
Through the window of my eyes
I gaze beyond the rain-drenched streets
To England where my heart lies.

My mind's distracted and diffused
My thoughts are many miles away
They lie with you when you're asleep
And kiss you when you start your day.

And as a song I was writing is left undone
I don't know why I spend my time
Writing songs I can't believe
With words that tear and strain to rhyme.

And so you see I have come to doubt
All that I once held as true
I stand alone without beliefs
The only truth I know is you.

And as I watch the drops of rain
Weave their weary paths and die
I know that I am like the rain
There but for the grace of you go I.


Kathy's Song

"Scarborough Fair / Canticle"

Are you going to Scarborough Fair:
Parsley, sage, rosemary and thyme.
Remember me to one who lives there.
She once was a true love of mine.

On the side of a hill in the deep forest green.
Tracing of sparrow on snow-crested brown.
Blankets and bedclothes the child of the mountain
Sleeps unaware of the clarion call.

Tell her to make me a cambric shirt:
Parsley, sage, rosemary and thyme;
Without no seams nor needle work,
Then she'll be a true love of mine.

On the side of a hill in the sprinkling of leaves.
Washes the grave with silvery tears.
A soldier cleans and polishes a gun.
Sleeps unaware of the clarion call.

Tell her to find me an acre of lan😛
Parsley, sage, rosemary and thyme;
Between the salt water and the sea strands,
Then she'll be a true love of mine.

War bellows blazing in scarlet battalions.
Generals order their soldiers to kill.
And to fight for a cause they have long ago forgotten.

Tell her to reap it with a sickle of leather:
Parsley, sage, rosemary and thyme;
And gather it all in a bunch of heather,
Then she'll be a true love of mine.

Are you going to Scarborough Fair:
Parsley, sage, rosemary and thyme.
Remember me to one who lives there.
She once was a true love of mine.


Scarborough Fair
[This traditional song relates the tale of a young man who instructs the listener to tell his former love to perform for him a series of impossible tasks, such as making him a shirt without a seam and then washing it in a dry well, adding that if she completes these tasks he will take her back. Often the song is sung as a duet, with the woman then giving her lover a series of equally impossible tasks, promising to give him his seamless shirt once he has finished.

As the versions of the ballad known under the title "Scarborough Fair" are usually limited to the exchange of these impossible tasks, many suggestions concerning the plot have been proposed, including the hypothesis that it is about the Great Plague of the late Middle Ages. The lyrics of "Scarborough Fair" appear to have something in common with an obscure Scottish ballad, The Elfin Knight (Child Ballad #2),[1] which has been traced at least as far back as 1670 and may well be earlier. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task ("For thou must shape a sark to me / Without any cut or heme, quoth he"); she responds with a list of tasks that he must first perform ("I have an aiker of good ley-land / Which lyeth low by yon sea-strand").

It is sung in counterpoint "In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour. It has been most commonly identified in classical music, strongly developing during the Renaissance and in much of the common practice period, especially in Baroque music. The term originates from the Latin punctus contra punctum meaning "point against point"."


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